It’s amazing what a three week hiatus can do to a girl. I’d momentarily buried all my Jeremy feelings in the box marked “Julie Plec is a Life Ruiner” for safe keeping. But tonight they came rushing back with the first new episode of ‘The Vampire Diaries’ since Elena burnt the Gilbert house (and supposedly Jeremy’s body*) to the ground.
And though the episode didn’t do much to advance the main plot – Silas and the cure (dibs on the new band name) – it did provide us with a window into the state of Elena’s psyche since she turned off all of her emotions at Damon’s behest. And I have to say, I think I kind of like this Elena. This take no prisoners version of Elena is, in short, the Elena we’ve always wanted her to be, albeit an extreme version.
If I had my way, Elena would be a balanced version of the whiny, compassionate Elena and the fierce, trying to kill her best friend Elena. And while I’m sure that’s where we’ll eventually end up, there’s quite a bit of road that needs to be traveled before we get there. Because if there’s one thing that’s for sure it’s that nothing will ever come easy to Elena Gilbert.
Right now we’ve got a humanity-free Elena with absolutely no emotions whatsoever, except perhaps arousal, and even that seemed a little suspect this week. It became clear that she no longer cares for the stern looks from Stefan, telling him that she remembered their sex – and that it was good – but that she didn’t really care about it, or him for that matter. And she seemed only mildly more interested – both in terms of conversation and as a sexual partner – in Damon, which is probably just about the craziest thing that’s ever happened in this town.
While this new Humanity-Free Elena seems infinitely more interesting and fun than Human Elena (and pre-Jeremy’s death Vampire Elena as well), it’s not all fun and games. This version of Elena is basically heartless, not caring about hurting her friends, especially Caroline (dropping her on her head? Way harsh, Elena). And if there’s one thing we can all agree on, it’s that no one hurts our precious Caroline and gets away with it. But even that only matters so much. Elena’s not just hurting her friends, she’s hurting herself even if she doesn’t realize it.
The problem with turning off all of Elena’s emotions is obvious: to dull the pain of a broken heart (or in Elena’s case, a dozen broken hearts), shes sacrifices her emotions, effectively what made her human in the first place. Damon and Stefan have had years to adapt to this lifestyle and years to figure out how to balance whatever guilt and pain they may feel with brooding/journaling or whoring/drinking depending on the brother. But in Elena’s case, as usual, everything is happening all at once.
It’s easy to forget that in Mystic Falls time, it’s been only two years or so since Elena’s parents died. That means in the span of less than 24 months she lost two sets of parents, two guardians, a brother and a few friends (and yet Bonnie still lives somehow). That would be a lot to deal with for even the most well-adjusted of us, but Elena is not a normal human and she’s far from OK. By flipping the emotion switch she’s essentially gone from one end of the spectrum – feeling too much and too deeply – to the other – feeling absolutely nothing. And it’s not exactly hard to see why Elena might seem to prefer the latter right now.
With no emotions she has no conscience, with no conscience she has no pain, with no pain, she’s free. And after all that she’s been through over the course of the last four seasons, Elena deserves a break from the pain and heartbreak, no? Sure, she’s not exactly going about it the right way – chomping on cheerleaders is strictly verboten – but no one can really fault her for wanting to escape from the pain of her old life.
The reason this doesn’t work, however, is because New Elena is still inhabiting the world and life of Old Elena, and the two don’t mesh all that well. Elena wants to feed on humans and be free, but her friends – the slightly more well-adjusted vampires – want to protect her still. They force her to act as if her brother didn’t just die at the hands of Silas and Katherine. They want her to go to school and act as if she’s still the same teenage cheerleader that she was at the start of the series, but she’s not.
It would be easy to put all the blame on Elena or all the blame on Damon, Stefan and Caroline, but in this case, everyone’s guilty of something. Elena without her emotions is a ticking time bomb. It’s really only a matter of time before Elena implodes and takes her friends and the town with her. But by forcing Elena to pretend that her life hasn’t drastically changed, Damon, Stefan and Caroline aren’t being all that helpful. Which is why it’s a good thing that Damon’s putting a little distance between Elena and Mystic Falls. She needs time away from the horrors of her old life, away from the reminders of the people she’s lost and the life that she can no longer call her own. She needs time to adjust to this new life in a real and honest way – in short, she needs a vacation from her worries. It’s going to take more than just a trip to New York with a sexy Salvatore to put Elena on the mend, but it’s a start.
So what did you guys think? Do you like this new version of Elena? Are you as harsh an art critic as Hayley? Are you wondering where Bonnie was (LOL)? What are you going to get Matt as a housewarming gift?
*You can call it denial all you want, but I’ve watched soap operas, I know how this works. No one stayed around to make sure Jeremy’s body was burned in those flames. For all I know, Katherine’s off playing pin the tail on the dead Gilbert or something.
Photo credit: Annette Brown/The CW
After three seasons of jaw-dropping twists, I don’t know how I’m still surprised and caught off guard when Julie Plec and the writers of ‘The Vampire Diaries’ pull a fast one on me. Seriously, guys, how does this keep happening? You’d think that with the intensity that I watch this show and with my obsessive need to analyze everything that I’d see these things coming, but I never do.
Katherine kissing Damon on Elena’s porch at the end of season one? No. Aunt Jenna dying? No way. Tyler becoming a hybrid? Nope. Alaric turning evil and then dying and then becoming a vampire and then dying again? Not even in my wildest (and saddest) dreams. The only twist that I was expecting was Elena’s death and subsequent transition to vampire and I only saw that one coming because I knew it was only a matter of time before it happened. We could only go so far and have her remain a human.
So of course I was blindsided tonight by Caroline’s epiphany that Elena is sired to Damon. Even halfway through her OH MY GOD, I’M IN LOVE WITH JOSH moment, I was still scratching my head and muttering, “Bzuh? Girl is talking nonsense. Explain, please.” It wasn’t until she started talking about the red dress that it clicked in my head. And I’m kind of embarrassed to admit that. But at the same time, I’m also completely not at all embarrassed or ashamed.
Do I wish that I could say that I saw that one coming? Of course I do, but I can’t. And I’m not certain I want to watch a show where I see every twist coming. That’s not a good show. A good show fools you, tricks you, lulls you into a false sense of security and then turns the light on and you realize that Bruce Willis was dead the whole effing time. That’s what makes a good show. And no matter what your judgmental friends say, ‘The Vampire Diaries’ is a good show. So don’t worry about not seeing this twist coming. Because we were all caught off guard tonight.
We knew that the Damon and Elena hookup was inevitable (even if I thought it would take longer than a couple of days in Mystic Falls time -which, by the way, does anyone get the feeling that time moves differently there? Hella weird place, Mystic Falls is), but I don’t think any of us could have or even would have predicted that Elena would be sired to Damon.
Looking back, the clues were all there. Damon told her she couldn’t keep anything down but human blood straight from the vein and it happened. But we chalked it up to Mystic Falls/Doppleganger Elena is Special shenanigans. Damon told her to kill Connor and she did, but we chalked that up to A) Damon being Damon and B) a newly turned vampire unable to control herself (plus the dude staked her, so I mean, let’s not pretend that he didn’t deserve it). We took all of the signs at face value because we had no reason not to. Let’s not beat ourselves up over it.
For awhile now Damon’s been a sense of comfort for Elena. He’s been her rock, her constant. He’s never let her down in the big scheme of things. Sure, he’s let her down plenty of times, but not when it counted. Not really. He’s the guy who said, “Let me be clear about something. If it comes down to you and the witch again, I will gladly let Bonnie die. I will always choose you.” And while the three people who actually like Bonnie might have been offended by that, it’s the truth. Damon has always been there for Elena. He was the person who stayed behind when Stefan joined Klaus on his cross country killing spree. He stayed and he helped her get through the pain. So there’s no real reason that we should have taken Elena being comforted by Damon in her time of need as anything other than that.
The writers were able to fool us because they’ve been building a compelling and realistic relationship between Damon and Elena for the last two plus seasons. The sire bond was not obvious to us because it wasn’t as if Elena was all of a sudden doing things that we couldn’t possibly fathom a non-sired Elena would be doing. Yes, the red dress comment tonight was a red flag, because two seconds before Damon picked the red one, Elena was adamant about the blue dress. But other than that, none of the events prior to tonight were out of place.
Aaaaand we’re back! After what seemed like a five year hiatus as opposed to five months, the Mystic Falls gang is back kicking ass and taking names and making out in the woods.
One of the strengths of this show has always been its ability to hit the ground running. Hell, this show never slows down, not even for bathroom breaks. I don’t know how the writers do it, but I’m grateful for all of their hard work, because in tonight’s premiere they had to cover a lot of ground in very little time.
Elena, having died with Damon’s vampire blood in her system in the season three finale, is now in transition. And yes, I would like to point out that Damon is basically Elena’s sire, but this is the one and only time I will do this because sire bonds, when they happen, as we all know, are kind of fucking crazy. And because sires are basically the parents of baby vampires and I really don’t want to get into how that would throw the entire love triangle into a whole other dimension of weird.
So Elena is in transition, and, of course, the Salvatore brothers disagree – as they do most of the time – on the best course of action.
Damon, who is still reeling from Elena’s death and who is angry at both Stefan and Matt for the parts they played in her death, believes that the best course of action would be for Elena to feed there and now. Damon’s never really been a sit around and wait kind of guy, nor is he an eternal optimist like his brother. He’s a man of action and he knows that Bonnie won’t succeed in finding a way to keep Elena human. No one else has ever been able to do it and Bonnie’s not exactly the greatest witch there ever was.
Stefan, of course, thinks the opposite and has faith in Bonnie’s magical abilities. What he doesn’t know is how angry Bonnie has made the spirits over the past couple of seasons. She’s treading into dark magic territory with everything she’s doing lately and during her attempt to crossover and bring Elena back to the land of the living, she’s stopped by (surprise cameo!) Grams.